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Sam
Fleming and Mark Chambers both work from a studio in a former linen mill in East Belfast. They also lecture in Visual
Art at Belfast Metropolitan College.
Whilst
the artists’ practices are quite different, they share a common concern for the
exploration of ‘Place’. The poetic nature of the environments which influence
their personal histories.
‘Different
Light’
refers to two personal visions of belonging and individual responses to the
environment in which the artists exist. It also refers to the multiple
narratives which are deliberately provided within both artists’ work. The
exhibition is unified by a common concern for ‘place’ and a celebration of the
inherent richness of the materials each artist works with.
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Mark Chambers’ recent work explores harmony
and discord; the notion that everything does not
adhere to its symbolism. Multiple meanings will exist, often resulting in a
paradox. His
work deals in opposites and contradictions: black and white, shadow and light,
movement and stillness, clarity and obscurity, and the interplay between
different dimensions.
His
work uses imagery form landscape and other symbolic metaphors, applying a variety
of materials, processes and techniques through the disciplines of drawing,
painting, installation and sculpture.
By
removing objects from their physical context and isolating their elements, His work
seeks to encourage the viewer to view things in a concentrated and intimate
way.
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Sam Fleming works with the medium of paint. He explores the poetic and heroic potential contained
in the paraphernalia of everyday urban life. The apparently humble moments and
incidents which become metaphors for a greater drama. The universal human
concerns which are played out in microcosm.
The work uses recurring
images and symbols. The pieces are spontaneously changed as new
‘stories’ emerge within the work. Indeed the act of painting itself becomes an
important part of the drama. Images are held within a formal framework inspired
by early renaissance religious works. This is reflected in the use of flattened
perspective and suggestions of a theatrical interior and exterior spaces.